The Grand Perpetual Motion Waltz explores the use of third relation, not only in the melodic doubling of parallel thirds in the opening theme, but also in the frequent third-related chord and key relationships.
Numerous scales (often with Lydian inflections) and arpeggios build to moments of dramatic climax.
The piece concludes with a somewhat humorous imitative dialogue between parts and the dramatic flair of contrary motion glissandi.
This premium Jabez Press edition is printed on acid-free, archival paper. The soft white pages reduce eye strain, while the music is generously spaced to facilitate the most convenient page turns possible.
Contains two complete copies.